Around here, we get great mileage out of springs, especially when studying waves and oscillations. And few helical coils grab attention quite like a neon-bright Slinky.
Honestly, if you had the choice between eye-searingly bright colors and boring old steel? We hope you’d go for bonus entertainment value, too.
Both Physics and Astronomy courses do a lot of work with waves, and while light is one of the most important types for study, sound is exceptionally handy for demonstrations. There’s an immediacy, a feel, that can make sonic demos feel more intuitive.
We have a few of these about, metal bars with supports at the nodes of a standing wave, seated over a wooden box. The string goes where the bar doesn’t vibrate, and hence doesn’t dampen the sound, while the box helps it resonate louder. Ka-bong! They’re quite fun.
And, yes, Carl J. Ulrich of Minneapolis, Minnesota did some fine work here.
In acoustics, there’s a phenomenon known as beats, which is when two similar tones generate an interference pattern that sounds like a pulsing beat. It happens with waves of all kinds, waves being moving energy and all that, but sometimes it’s easier to really get the sensation when you hear it. Graphing out the sinusoids and showing the constructive and destructive interference helps explain it. Hearing that wubwubwubwubwub cements it.
We have what looks, at first glance, like a glockenspiel, with its metal bars all in a row. Tap one with the mallet, and it sounds almost the same as the one next to it. Almost. Tap two at once, and you get the beats.
At one end, it’s 440 Hz. Then 439, 438, 437, 436, and 435 Hz. Not only can you hear the beats, but you can very clearly hear the change in beat frequency as you combine tones in different combinations. It’s very cool.
Also quite unnerving after a while. woobwoobwoobwoobwoob